4k Production solo series Workflows Explained

Each platform may differ in aspect ratio, and typically prefer compressed solo series media, such as those media files generated by the cameras found in many mobile devices. These sites encourage smaller file sizes for faster uploading. However, many of these sites will accept a broad range of less compressed formats, albeit not advertised.

• Also, two actors in the same scene rarely have the same delivery volume.
• You simply have raw footage that may or may not tell the story you want to tell.
• In order to prep for the conform, the film must be collapsed down to a single track.
• Our system provides 4K resolution and also brings new capabilities to HD Live Production with HD cutout and high frame rate functionality.
• It provides some of the advantages of online editing and also removes the need to relink back to the original camera files.

Music Supervisors are in charge of all aspects of the music on a project. They’ll work directly with the composer through post-production, handling the budget and just about any and all things related to the music on a job. While the tools a Matte Painter uses have changed in the digital age, the work itself is still the same. They craft hyperrealistic exteriors and interiors to form the backdrop for scenes that otherwise couldn’t be created recreated. Not everyone can shoot wide shots from the top of a skyscraper. The work of an Assistant Editor makes the main Editor’s job in post-production significantly easier.

Free Course: How To Make A Short Film

Use templates to help with naming conventions and overall organization.Depending on the size and scope of your project, it might be helpful to chat with your team once footage goes out to the editor. During shooting, someone on set likely took notes to include a specific take or piece of footage. In this meeting, you can go over these and any specific script notes.

The Film Look

Thus, high end workflows tend to capture into very large color spaces and preserve them carefully throughout the entire process, especially if the end result may be projected in a theater. Lower-end workflows tend to go with simpler, smaller color spaces in order to save time and money. Colorists love log footage because it gives them a lot more room to make changes in the color grade.

Try to be descriptive so you know what the session is, and anyone else who looks at the session/folder/file structure will know what they are looking at. This also helps if there is any extra Dx laying around seemingly randomly. Its more than likely they used some off-camera dialog and comped it into a different take for creative reasons, and this is something that you obviously need to replicate just with more finesse. Repeat this step until you get a mix everyone is happy with. If wild takes are done, label them properly and document what they are .

In this article, we are mainly focusing on the post-production elements of a live-action video, not an animated video. You can check this post How to Make Animated Videos Step-By-Step Guide for animated videos. And New Zealand, Sosnovsky could make sure that Eagles started each morning with the new dailies from Santa Fe and prepped scenes from Avid in L.A. Your campaign image is likely the first thing a prospective distributor or festival programmer will see of your film. The image should let the viewer know exactly what your film is about. Somewhere in the not-too-distant future you will be selling the rights to your film to foreign nations.

The 8 Steps Of A Streamlined Post Production Workflow

Beyond work-in-progress, StorNext helps you manage even your largest content archives to fuel new productions, and deliver your best work while sticking to tight budgets and even tighter deadlines. As content production takes on ever-higher resolutions, new formats and more complex workflows from pre-visualization to finish – the storage environment has to keep up. And when projects are finished – all of that valuable content needs to be organized, protected, and ready to pull back into new projects immediately. The industry standard software package that you need to know how to use forwards, backwards and inside out, is Avid Media Composer.

Also, two actors in the same scene rarely have the same delivery volume. There’s really no “right” way to go about editing a project and workflows vary greatly depending on the editor, as well as the specific project they’re working on. However, Sudhakaran’s video and infographic lay out a great post pipeline for those who may not know exactly how the post-production process works, or all of what it entails.